한상룡 가옥(현 가회동 백인제 가옥)의 원형과 조영개념

서지정보

ㆍ발행기관 : 한국건축역사학회 ㆍ수록지정보 : 건축역사연구 / 22권 / 4호
ㆍ저자명 : 박상욱

목차

Abstract
1. 서 론
2. 건립자 한상룡韓相龍의 배경과 이력
2-1. 사료상의 건립자와 연구가옥
2-2. 한상룡(1880.11.14.~1947.?)의 배경과 이력
3. 한성은행의 변천과정과 영향
4. 원형추정복원
4-1. 현황
4-2. 가옥의 연혁
4-3. 자료 및 관련대지 분석
4-4. 원형추정
5. 한상룡 가옥의 계획적 특성
5-1. 5개의 대지레벨과 영역의 구성
5-2. 전체영역의 중심에 위치한 사랑채
5-3. 5개의 실내영역과 구획
5-4. 안채의 구성과 안마당의 분화
5-5. 공적-사적영역의 진입특성
5-6. 근대적 요소와 외래요소
5-7. 목구조의 다양성과 도전 및 의장요소
5-8. 산정채로서의 별채
6. 한상룡의 조영개념
6-1. ‘연회장이 중심인 집’
6-2. ‘이중성과 병치’
6-3. ‘규범을 넘어선 근대적 재구성’
7. 결 론
References

영어 초록

The founder of the ‘Paik In - Je House in Ga Hui Dong’ in the Bukchon Hanok Village was found as Han Sang- Ryong (1880.11.14. ~ 1947.?) and the time when it was built was by the late June in 1913. Han Sang Ryong was the director of the HanSung Bank during the Japanese colonial period and he was the industrialist in the management committee and the economy coordinator in the economic area. The way how he could accumulate the huge amount of money was because his Uncle Lee Yoon Yong and Lee Wan Yong brothers were participating in various concessions under the protection of the colony government such as Chosun colonial government. Through seven years of preparation for building the mansion, the social function he presented to his house was ‘the house built for the banquet hall’. He invited many celebrities of politics and economy to this house and built his fundaments for his social activity through interactions. To solve the construction concept, he used the way of ‘duplicity and juxtaposition’, and his mansion was reborn as a modernized urban Hanok through the reinterpretation by his program out of the old Confucian rules. Han Sang Ryong’s mansion is significant and valuable in the period since it was a pioneer in challenging the creative housing in the developing stage of Hanok in early modern era, and the highest social level people were trying to show off through the Hanok as a product.

참고 자료

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