《顯宗丁未溫幸契屛》과 17세기의 산수화 契屛

서지정보

ㆍ발행기관 : 한국미술연구소 ㆍ수록지정보 : 美術史論壇 / 29권
ㆍ저자명 : 박정혜

영어 초록

Gyebyeong was a commemorative folding screen shared among the participants of an event. Landscape Gyebyeong first emerged in the 17th century. Before documentary gyebyeong began to become popular in 18th century, landscape was one of the most popular themes of gyebeong in 17th century. This study examines the characteristics of Hyeonjong Jeongmi Onhaeng Gyebyeong : Eight-Fold Screen of King Hyeonjong’s Trip to Onyang for Hot Spring Cure in 1667, owned by Onyang Folk Museum. The Onhaeng Gyebyeong effectively represents the extant 17th century landscape gyebeongs.
This study has clarified the theme of Hyeonjong Jeongmi Onhaeng Gyebyeong as Wang wei’s twenty poem describing the scenic places along the Wangchuan river and its close relevance to the iconography of Chinese Wangchuantu. This study also revealed that Wangchuantu, along with the four seasons landscape, the eight views of the Hsiao and Hsiang River, and the nine-bent stream of Mt. Wu Yi, was favored as a theme of landscape gyebyeong in the 17th century. Finally, the blue-andgreen landscape style seen in the Onhaeng Gyebyeong shows the very significant relation to the style of some artists who were active in the late 17th century to the early 18th century.

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